what they’re saying about “they say / i say”
“Many students say that it is the first book they’ve found that actually helps them with writing in all disciplines.”
—Laura Sonderman, Marshall University
“A brilliant book. . . . It’s like a membership card in the aca- demic club.” —Eileen Seifert, DePaul University
“This book demystifies rhetorical moves, tricks of the trade that many students are unsure about. It’s reasonable, helpful, nicely written . . . and hey, it’s true. I would have found it immensely helpful myself in high school and college.”
—Mike Rose, University of California, Los Angeles
“The argument of this book is important—that there are ‘moves’ to academic writing . . . and that knowledge of them can be generative. The template format is a good way to teach and demystify the moves that matter. I like this book a lot.”
—David Bartholomae, University of Pittsburgh
“Students need to walk a fine line between their work and that of others, and this book helps them walk that line, providing specific methods and techniques for introducing, explaining, and integrating other voices with their own ideas.”
—Libby Miles, University of Vermont
“A beautifully lucid way to approach argument—different from any rhetoric I’ve ever seen.”
—Anne-Marie Thomas, Austin Community College, Riverside
“It offers students the formulas we, as academic writers, all carry in our heads.” —Karen Gardiner, University of Alabama
“The best tribute to ‘They Say / I Say’ I’ve heard is this, from a student: ‘This is one book I’m not selling back to the bookstore.’ Nods all around the room. The students love this book.”
—Christine Ross, Quinnipiac University
“What effect has ‘They Say’ had on my students’ writing? They are finally entering the Burkian Parlor of the university. This book uncovers the rhetorical conventions that transcend dis- ciplinary boundaries, so that even freshmen, newcomers to the academy, are immediately able to join in the conversation.”
—Margaret Weaver, Missouri State University
“It’s the anti-composition text: Fun, creative, humorous, bril- liant, effective.”
—Perry Cumbie, Durham Technical Community College
“This book explains in clear detail what skilled writers take for granted.” —John Hyman, American University
“The ability to engage with the thoughts of others is one of the most important skills taught in any college-level writing course, and this book does as good a job teaching that skill as any text I have ever encountered.” —William Smith, Weatherford College
“Students find this book tremendously helpful—they report that it has ‘demystified’ academic writing for them.”
—Karen Gocsik, University of California at San Diego
“I love ‘They Say / I Say,’ and more importantly, so do my students.” —Catherine Hayter, Saddleback College
“ ‘They Say / I Say’ reveals the language of academic writing in a way that students seem to understand and incorporate more easily than they do with other writing books. Instead of a list of don’ts, the book provides a catalog of do’s, which is always more effective.”
—Amy Lea Clemons, Francis Marion University
“This book makes the implicit rules of academic writing explicit for students. It’s the book I really wish I’d had when I was an undergraduate.”
—Steven Bailey, Central Michigan University
F O U R T H E D I T I O N
“THEY SAY I SAY” The Move s Tha t Ma t t e r
i n Academ i c Wr i t i n g
H
GERALD GRAFF
CATHY BIRKENSTEIN
both of the University of Illinois at Chicago
B w . w . n o r t o n & c o m p a n y
n e w y o r k | l o n d o n
For Aaron David
W. W. Norton & Company has been independent since its founding in 1923, when William Warder Norton and Mary D. Herter Norton first published lectures delivered at the People’s Institute, the adult education division of New York City’s Cooper Union. The firm soon expanded its program beyond the Institute, publishing books by celebrated academics from America and abroad. By mid-century, the two major pillars of Norton’s publishing program—trade books and college texts—were firmly established. In the 1950s, the Norton family transferred control of the company to its employees, and today—with a staff of four hundred and a comparable number of trade, college, and professional titles published each year—W. W. Norton & Company stands as the largest and oldest publishing house owned wholly by its employees.
Copyright © 2018, 2017, 2014, 2010, 2009, 2006 by W. W. Norton & Company, Inc.
All rights reserved Printed in the United States of America
Permission to use copyrighted material is included in the credits section of this book, which begins on page 295.
ISBN 978-0-393-63167-8
W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110 wwnorton.com
W. W. Norton & Company Ltd., 15 Carlisle Street, London W1D 3BS
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v
contents
preface to the fourth edition ix
preface xiii Demystifying Academic Conversation
introduction 1 Entering the Conversation
PART 1 . “THEY SAY”
one “they say” 19 Starting with What Others Are Saying
two “her point is” 30 The Art of Summarizing
three “as he himself puts it” 43 The Art of Quoting
PART 2 . “ I SAY”
four “yes / no / okay, but” 53 Three Ways to Respond
five “and yet” 67 Distinguishing What You Say from What They Say
six “skeptics may object” 77 Planting a Naysayer in Your Text
seven “so what? who cares?” 91 Saying Why It Matters
v i
PART 3. T YING IT ALL TOGETHER
eight “as a result” 101 Connecting the Parts
nine “you mean i can just say it that way?” 117 Academic Writing Doesn’t Mean Setting Aside Your Own Voice
ten “but don’t get me wrong” 131 The Art of Metacommentary
eleven “he says contends” 141 Using the Templates to Revise
PART 4. IN SPECIFIC ACADEMIC CONTEXTS
twelve “i take your point” 162 Entering Class Discussions
thirteen don’t make them scroll up 166 Entering Online Conversations
fourteen what’s motivating this writer? 176 Reading for the Conversation
fifteen “on closer examination” 187 Entering Conversations about Literature
sixteen “the data suggest” 205 Writing in the Sciences
seventeen “analyze this” 224 Writing in the Social Sciences
C O N T E N T S
Contents
v i i
r e a d i n g s 243
Don’t Blame the Eater 245 David Zinczenko
Hidden Intellectualism 248 Gerald Graff
“Rise of the Machines” Is Not a Likely Future 256 Michael Littman
The New Jim Crow: Mass Incarceration in the Age of Colorblindness 261 Michelle Alexander
Everything That Rises Must Converge 275 Flannery O’Connor
credits 295
acknowledgments 297
index of templates 309
i x
preface to the fourth edition
H
Since it was first published over a decade ago, this book has been dedicated to the idea that our own views are most thoughtfully formed in conversation with the views of others, including views that differ from our own. When students work with one of this book’s templates like “They say that , and I concede . But ,” they see their beliefs from another side and, in our view, are therefore able to produce more compelling arguments. As the twenty-first century unfolds, however, the increas- ingly polarized state of our society is making it harder to listen to those who see things differently than we do. The wider our divisions become, the harder it is to find anyone who is will- ing to seriously consider viewpoints that oppose their own. Too often we either avoid difficult discussions altogether, or we talk only with like-minded people, who often reinforce our pre-existing assumptions and insulate us from serious challenge. In this fourth edition of our book, therefore, we double down in a variety of ways on the importance of getting outside our isolated spheres and listening to others, even when we may not like what we hear.