Creating a Physical Environment for Your Curriculum

Creating a Physical Environment for Your Curriculum

A young boy stands at a water table and transfers water from one container to another.Susan Woog-Wagner / Getty Images

Children use a variety of materials to explore concepts about water, including different-sized containers (in which they can pour the water back and forth) and objects that sink and float.

The physical environment is a powerful messenger, and “every environment implies a set of values or beliefs about the people who use the space and the activities that take place there . . . each environment also influences the people who use it in subtle or dramatic ways” (Carter & Carter, 2003, p. 13).

Thinking and making decisions about how to design and arrange classroom spaces has been influenced by many individuals. Friedrich Froebel introduced the idea of materials specifically created to support the way young children learn. Maria Montessori pioneered the use of child-sized furniture and the careful organization of materials. Rudolph Steiner promoted the use of natural materials and a homelike environment. Elizabeth Jones and Elizabeth Prescotts work in the 1970s also emphasized the importance of a homelike environment and the idea that teachers should look to the environment as a source for solving problems (Prescott, 2004). For example, if you observed that children in an activity area were not sharing, a comparison of the number of things to do with the number of children using the center might suggest that additional materials need to be added (Prescott, 2004, p. 35).

Diane Trister-Dodge and David Weikert applied all of these ideas to the Creative Curriculum and High Scope classrooms. Finally, the Reggio Emilia programs demonstrate how planning an environment is driven by respect for the rights of the child to a beautiful, welcoming space that promotes relationships and attention to detail.

This section of the chapter will address how your curriculum influences the indoor physical environment, principles of good design, and aesthetics. Considerations for planning the outdoor environment are addressed in Chapter 8

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