The politics of cosmetic surgery and Asian American women. In M. Crawford & R. Under (Eds.) In Our Own Words: Readings on the Psychology of Women and Gender. NY: McGraw- Hill, 55-73.

The politics of cosmetic surgery and Asian American women. In M. Crawford & R. Under (Eds.) In Our Own Words: Readings on the Psychology of Women and Gender. NY: McGraw- Hill, 55-73.

Ellen, a Chinese American in her forties, informed me she had had her upper eyelids surgically cut and sewed by a plastic surgeon twenty years ago in order to get rid of “the sleepy look,” which her naturally “puffy” eyes gave her. She pointed out that the sutures, when they healed, became a crease above the eye which gave the eyes a more “open appearance.” She was quick to tell me that her decision to undergo “double-eyelid” surgery was not so much because she was vain or had low self-esteem, but rather because the “undesirability” of her looks before the surgery was an undeniable fact.

During my second interview with Ellen, she showed me photos of herself from before and after her surgery in order to prove her point. When Stacy, her twelve-year-old daughter, arrived home from school, Ellen told me she wanted Stacy to undergo similar surgery in the near future because Stacy has only single eyelids and would look prettier and be more successful in life if she had a fold above each eye. Ellen brought the young girl to where I was sitting and said, “You see, if you look at her you will know what I mean when I say that I had to have surgery done on my eyelids. Look at her eyes. She looks just like me before the surgery.” Stacy seemed very shy to show me her face. But I told the girl truthfully that she looked fine and beautiful the way she was. Immediately she grinned at her mother in a mocking, defiant manner, as if I had given her courage, and put her arm up in the manner that bodybuilders do when they display their bulging biceps.

As empowered as Stacy seemed to feel at the moment, I could not help but wonder how many times Ellen had shown her “before” and “after” photos to her young daughter with the remark that “Mommy looks better after the surgery.” I also wondered how many times Stacy had been asked by Ellen to consider surgically “opening” her eyes like “Mommy did.” And I wondered about the images we see on television and in magazines and their often negative, stereotypical portrayal of “squinty-eyed” Asians (when Asians are featured at all). I could not help but wonder how normal it is to feel that an eye without a crease is undesirable and how much of that feeling is imposed. And I shuddered to think how soon it might be before twelve-year-old Stacy’s defenses gave away and she allowed her eyes to be cut.

The permanent alteration of bodies through surgery for aesthetic purposes is not a new phenomenon in the United States. As early as World War I, when reconstructive surgery

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was performed on disfigured soldiers, plastic surgery methods began to be refined for purely cosmetic purposes (that is, not so much for repairing and restoring but for transforming natural features a person is unhappy with). Within the last decade, however, an increasing number of people have opted for a wide array of cosmetic surgery procedures, from tummy tucks, facelifts, and liposuction to enlargement of chests and calves. By 1988, two million Americans had undergone cosmetic surgery (Wolf 1991:218), and a 69 percent increase had occurred in the number of cosmetic surgery procedures between 1981 and 1990, according to the ASPRS or American Society of Plastic and Reconstructive Surgeons (n.d.).

Included in these numbers are an increasing number of cosmetic surgeries undergone by people like Stacy who are persons of color (American Academy of Cosmetic Surgery press release, 1991). In fact, Asian Americans are more likely than any other ethnic group (white or nonwhite) to pursue cosmetic surgery. ASPRS reports that over thirty-nine thousand of the aesthetic procedures performed by its members in 1990 (or more than 6 percent of all procedures performed that year) were performed on Asian Americans, who make up 3 percent of the U.S. population (Chen 1993:15). Because Asian Americans seek cosmetic surgery from doctors in Asia and from doctors who specialize in fields other than surgery (e.g., ear, nose, and throat specialists and ophthalmologists), the total number of Asian American patients is undoubtedly higher (Chen 1993:16).

The specific procedures requested by different ethnic groups in the United States are missing from the national data, but newspaper reports and medical texts indicate that Caucasians and nonwhites, on the average, seek significantly different types of operations (Chen 1993; Harahap 1982; Kaw 1993; LeFlore 1982; McCurdy 1980; Nakao 1993; Rosenthal 1991). While Caucasians primarily seek to augment breasts and to remove wrinkles and fat through such procedures as facelifts, liposuction, and collagen injection, African Americans more often opt for lip and nasal reduction operations; Asian Americans more often choose to insert an implant on their nasal dorsum for a more prominent nose or undergo double-eyelid surgery whereby parts of their upper eyelids are excised to create a fold above each eye, which makes the eye appear wider.

Though the American media, the medical establishment, and the general public have debated whether such cosmetic changes by nonwhite persons reflect a racist milieu in which racial minorities must deny their racial identity and attempt to look more Caucasian, a resounding no appears to be the overwhelming opinion of people in theUnited States. Many plastic surgeons have voiced the opinion that racial minorities are becoming more

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assertive about their right to choose and that they are choosing not to look Caucasian. Doctors say that nonwhite persons’ desire for thinner lips, wider eyes, and pointier noses is no more than a wish to enhance their features in order to attain “balance” with all their other features (Kaw 1993; Merrell 1994; Rosenthal 1991).

Much of the media and public opinion also suggests that there is no political significance inherent in the cosmetic changes made by people of color which alter certain conventionally known, phenotypic markers of racial identity. On a recent Phil Donahue show where the racially derogatory nature of blue contact lenses for African American women was contested, both white and nonwhite audience members were almost unanimous that African American women’s use of these lenses merely reflected their freedom to choose in the same way that Bo Derek chose to wear corn rows and white people decided to get tans (Bordo 1990). Focusing more specifically on cosmetic surgery, a People Weekly magazine article entitled “On the Cutting Edge” (January 27, 1992, p. 3) treats Michael Jackson (whose nose has become narrower and perkier and whose skin has become lighter through the years) as simply one among many Hollywood stars whose extravagant and competitive lifestyle has motivated and allowed them to pursue cosmetic self-enhancement. Clearly, Michael Jackson’s physical transformation within the last decade has been more drastic than Barbara Hershey’s temporary plumping of her lips to look younger in Beaches or Joan Rivers’s facelift, yet his reasons for undergoing surgery are not differentiated from those of Caucasian celebrities; the possibility that he may want to cross racial divides through surgery is not an issue in the article.

When critics speculate on the possibility that a person of color is attempting to look white, they often focus their attack on the person and his or her apparent lack of ethnic pride and self-esteem. For instance, a Newsweek article, referring to Michael Jackson’s recent television interview with Oprah Winfrey, questioned Jackson’s emphatic claim that he is proud to be a black American: “Jackson’s dermatologist confirmed that the star has vitiligo, a condition that blocks the skin’s ability to produce pigment … [however,] most vitiligo sufferers darken their light patches with makeup to even the tone. Jackson’s makeup solution takes the other tack: less ebony, more ivory” (Fleming and Talbot 1993:57). Such criticisms, sadly, center around Michael Jackson the person instead of delving into his possible feelings of oppression or examining society as a potential source of his motivation to alter his natural features so radically.

In this chapter, based on structured, open-ended interviews with Asian American women like Ellen who have or are thinking about undergoing cosmetic surgery for wider eyes and

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more heightened noses, I attempt to convey more emphatically the lived social experiences of people of color who seek what appears to be conventionally recognized Caucasian features. Rather than mock their decision to alter their features or treat it lightly as an expression of their freedom to choose an idiosyncratic look, I explain everyday cultural images and social relationships which influence Asian American women to seek cosmetic surgery in the first place. Instead of focusing, as some doctors do (Kaw, 1993), on the size and width of the eyelid folds the women request as indicators of the women’s desire to look Caucasian, I examine the cultural, social, and historical sources that allow the women in my study to view their eyes in a negative fashion-as “small” and “slanted” eyes reflecting a “dull,” “passive” personality, a “closed” mind, and a “lack of spirit” in the person. I explore the reasons these women reject the natural shape of their eyes so radically that they willingly expose themselves to a surgery that is at least an hour long, costs one thousand to three thousand dollars, entails administering local anesthesia and sedation, and carries the following risks: “bleeding and hematoma,” “hemorrhage,” formation of a “gaping wound,” “discoloration,” a scarring, and “asymmetric lid folds” (Sayoc 1974:162-166).

In our feminist analyses of femininity and beauty we may sometimes find it difficult to account for cosmetic surgery without undermining the thoughts and decisions of women who opt for it (Davis 1991). However, I attempt to show that the decision of the women in my study to undergo cosmetic surgery is often carefully thought out. Such a decision is usually made only after a long period of weighing the psychological pain of feeling inadequate prior to surgery against the possible social advantages a new set of features may bring. Several of the women were aware of complex power structures that construct their bodies as inferior and in need of change, even while they simultaneously reproduced these structures by deciding to undergo surgery (Davis 1991:33).

I argue that as women and as racial minorities, the psychological burden of having to measure up to ideals of beauty in American society falls especially heavy on these Asian American women. As women, they are constantly bombarded with the notion that beauty should be their primary goal (Lakoff & Scherr 1984; Wolf 1991). As racial minorities, they are made to feel inadequate by an Anglo American-dominated cultural milieu that has historically both excluded them and distorted images of them in such a way that they themselves have come to associate those features stereotypically identified with their race (i.e., small, slanty eyes, and a flat nose) with negative personality and mental characteristics.

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In a consumption-oriented society such as the United States, it is often tempting to believe that human beings have an infinite variety of needs which technology can endlessly fulfill, and that these needs, emerging spontaneously in time and space, lack any coherent patterns, cultural meanings, or political significance (Bordo 1991; Goldstein 1993; O’Neill 1985:98). However, one cannot regard needs as spontaneous, infinite, harmless, and amorphous without first considering what certain groups feel they lack and without first critically examining the lens with which the larger society has historically viewed this lack. Frances C. MacGregor, who between 1946 and 1959 researched the social and cultural motivations of such white ethnic minorities as Jewish and Italian Americans to seek rhinoplasty, wrote, “The statements of the patients … have a certain face validity and explicitness that reflect both the values of our society and the degree to which these are perceived as creating problems for the deviant individual” (MacGregor 1967:129).

Social scientific analyses of ethnic relations should include a study of the body. As evident in my research, racial minorities may internalize a body image produced by the dominant culture’s racial ideology and, because of it, begin to loathe, mutilate, and revise parts of their bodies. Bodily adornment and mutilation (the cutting up and altering of essential parts of the body; see Kaw 1993) are symbolic mediums most directly and concretely concerned with the construction of the individual as social actor or cultural subject (Turner 1980). Yet social scientists have only recently focused on the body as a central component of social self-identity (Blacking 1977; Brain 1979; Daly 1978; Lock and Scheper-Hughes 1990; O’Neill 1985; Turner 1980; Sheets-Johnstone 1992). Moreover, social scientists, and sociocultural anthropologists in particular, have not yet explored the ways in which the body is central to the everyday experience of racial identity.

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